You Can’t Beat the Numbers
I found this quite informative in explaining how a “Numbers Racket” (illegal lottery) operated – whenever I’d seen this referred to before in 1970’s police series’ there always seemed to be a presumption that everyone watching understood what this was. It goes into quite a lot of detail as to how the mob’s cash collection scheme is operated and how the participants in the scheme are remunerated. There are also debates about how “wrong” this activity really is (banning gambling and alcohol was (is) the main course of the rise of organised crime in the US). The head mobster here is played by the great Whit Bissell – he conducts an interesting “court” trying one of his collectors for failure to control a subordinate. The pre-credits snippet shows the murder of the main guest star (!) A rather hurried ending allows Ness & Co victory.
The Underground Railway
A rather silly episode in which a convict who looks like a 50’s werewolf escapes from prison and, as he flees from coast to coast, has a series of pieces of plastic surgery that turn him into Cliff Robertson. Robertson’s character is suitably nasty (though a crucial murder of the episode’s only sympathetic character and audience-identifier figure takes place off-screen presumably to appease the censor) but then, just as he is about to get away, throws it all with some pointless shooting. The title refers to the informal criminal network which hides Robertson on his cross country travels.
Syndicate Sanctuary
The “Syndicate” try to take over a small town some way from Chicago so as to relocate their operations. They murder a rival candidate for mayor, operate from the police station and seem to run the entire police force. Jack Elam and Frank Wolff play two of the henchmen (Elam always looks uncomfortable when not dressed in cowboy clothes). Anthony Caruso is the head villain. Lots of action in this one and a high body count. I enjoyed watching Stack’s look of distaste as he walks down (what is supposed to be) the red light district – as conveyed by the budgetary and censor restrictions of the time.

